<html dir="ltr">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=Windows-1252">
<style id="owaParaStyle" type="text/css">P {margin-top:0;margin-bottom:0;}</style>
</head>
<body ocsi="0" fpstyle="1">
<div style="direction: ltr;font-family: Tahoma;color: #000000;font-size: 10pt;"><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
</span></font><font face="Century Gothic" size="4"><span style="font-size: 24px;">ADAM GREEN</span></font><font face="Century Gothic" size="4"><span style="font-size: 24px;"><br>
</span></font><font face="Century Gothic" size="4"><span style="font-size: 24px;"><i>Houseface</i></span></font><font face="Century Gothic" size="4"><span style="font-size: 24px;"><i><br>
</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 18px;">August 16 - 25, 2012</span></font><font face="Century Gothic" size="2"><span style="font-size: 18px;"><br>
OPENING August 16, 7-9PM</span></font><font face="Century Gothic" size="2"><span style="font-size: 18px;"><br>
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
The Hole is proud to announce an end of summer exhibition by artist and musician Adam Green. Green will fill the galleries with painting, sculpture, and his feature-length film
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i>The</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;">
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i>Wrong Ferrari</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"> screened on continuous loop in Gallery 3.</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
In this exhibition, Green explores a reduction of cartoon imagery into modular sections and the evocative potential of their recombination. The works evoke the explorations of De Stijl and Mondrian crossed with the expressionism of his contemporaries like Joe
Bradley, Ben Jones or André Butzer. Green's architectural inspirations range from Gaudí to Hundertwasser and many paintings specifically reference high density housing, water towers and airports.</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><u>I liked something because it reminded me of something else</u></i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i> - by Adam Green</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
I remember liking a Mondrian painting because it reminded me of a Monopoly board. There was a sentimentality in making this association which made me feel good. One of my favorite possessions as a child was a cat pendulum-clock. I remember placing special
importance on its life-like characteristics. To this day when cleaning out my house I find that figurines - in fact any construction with faces or eyes - are hard to dispose of. We are myth-based and seek out ourselves in abstraction. We find faces in our
coffee and we look for ourselves even in architecture and design. </i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
In this exhibit I’ve dismantled three cherished cartoon characters and simplified their components. I’ve reduced their essences to formal cubic cells. The transformation is extreme and we are left only with the subtle reminder of them, just enough to allow
our sentimentality to poke through. It is in this final reduced form that these components can be used most effectively in architecture and design. Because we share a common history loving these cartoon characters, and because their design has proven effective,
we can now incorporate them further into our own myth. Through the currents of these sentimental reminders and our natural predisposition towards animism, my new work seeks to capture a more life-affirming and ultimately less-disposable system of design.</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
The works presented are paintings, drawings, and sculptures. The line-quality varies in the designs ranging from fairly straight to an expressive style where the straight line is the enemy. </i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
Initially inspired by Neoplasticism, video-game graphics and Persian tapestries, my instinct was to reduce these symbols into building blocks and to place them on a grid. </i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
Many of the designs are set upon a planar grid. Adhering to the horizontal and vertical laws of the grid - and with their evocation of eyes and mouths - they represent a fusion of the Neoplastic and animist ideologies. </i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><i><br>
</i></span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
Adam Green is a world-recognized musician who in recent years has begun to exhibit his artworks, most recently at Dustin Yellin’s new space in Red Hook, Brooklyn called The Intercourse. He has also shown at Galleri Loyal in Malmo and the Morrison Hotel in NYC.
This exhibition is accompanied by an artist-made book in an edition of 50. For all inquiries please contact kathy@theholenyc.com</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
ADAM GREEN'S WEBSITE </span></font><a href="http://theholenyc.us2.list-manage2.com/track/click?u=914ed92519d7112560659d083&id=0d98f3c5f0&e=1b86bcdafe" target="_blank"><font face="Century Gothic" size="2"><span style="font-size: 14px;"><http://theholenyc.us2.list-manage2.com/track/click?u=914ed92519d7112560659d083&amp;id=0d98f3c5f0&amp;e=1b86bcdafe></span></font></a><font face="Century Gothic" size="2"><span style="font-size: 14px;">
</span></font><font face="Century Gothic" size="2"><span style="font-size: 14px;"><br>
<br>
<br>
<br>
<br>
<br>
Chloe Walsh<br>
Press Here<br>
138 West 25th St<br>
9th Floor<br>
NYC 10001<br>
212 246 2640<br>
<br>
</span></font></div>
</body>
</html>